No posts in six months. What does that mean? I did the six things there were to do in Doha, created six more, bought an Arabian stallion, and stopped blogging. A former colleague, however, crossed the Straits of Hormuz (in a jet, not a speed boat...) to do research--real research--the kind that requires more than opening books, (unlike mine) on the politics of education in Iran. To him, who will remain anonymous so he doesn't get imprisoned trying to leave the country, I cede this blog for a few entries. These posts were pulled out of a group email, the only thing edited out were the Doha and Georgetown inside jokes.
*****
Condi!
Editor's note: I made a promise myself to not peddle in clichés or conventional wisdom during my time in Iran, but these images were just to kitschy to pass up. In any case, you guys are in the good, and know better than to take these photos as being reflective of some sort of intransitive "Truth"...Though they are, in a certain sense, very representative of a type of social performance that goes on here, one that was prominently on display now several Mondays ago, February 22, the official day of celebration of the 1979 Revolution (22nd of Bahman).
Known as the "10 Days of Fajr," or 10 Days of Dawn, Fajr marks the fateful series of days that began with Khomeini's return from exile (February 12, 1979), to the day in which the Shah-installed Bakhtiari government fell (February 22, 1979). Wags like to refer to it as the "10 Days of Zajr," literally, the 10 Days of Suffering. Every year it's the same, with slight variations made for historical contingency (i.e., this year's featured performer was the nuclear issue, "ours is a revolution of light; we didn't make this revolution so that the Enemy can take away our right to energy," etc.).
The 2008 version of the Revolutionary Triumph was a time of intense schooling, aimed primarily at simpletons, layabouts, 6-year old children, and newcomers like me. Government sponsored media and the usual gang of idiots provided us with instruction, at least a month's worth in the run up to the official ten-day celebration. I quickly realized that I was learning a whole new iconography, to go alongside the Pearl Harbors, Iwo Jimas, and Apollo lunar landings already in my possession. A liturgy of suffering and inevitable triumph, the 10 stations of the revolution, as it were, were repeated in sequence, matched to the same day as it took place 29 years ago. Regular broadcasting was separated by lengthy clips of what took place in the streets in 1979, visual storytelling played without commentary, other than the purposeful editing in of Khomeini fandom. If you didn't know any better, you would believe that Islam and only Islam, was the driving force behind the overthrow of the Pahlavi regime...You would also think that revolutions are generally carried out by folks sporting the fashions and hairstyles found at the declining end of the 70s.
The days begin with Khomeini descending, quite literally, from the sky. He arrives in Tehran like all self-respecting revolutionaries: on an Air France flight. Behold! Here now comes our savior. Witness! He arrives flying economy class. The imam descends from the plane, providing us right there at the beginning with what is now the iconic image of the entire revolution: Khomeini slowly but deliberatively climbing down the stairs, his black robes draped left to right across his body, flanked prominently by his son (imagine Khomeini with brown hair and a smile) and by the plane's captain, a Frenchman sporting oversized aviator glasses. The latter holds onto the guardrail with one hand, and Khomeini's arm with the other hand. Blond, of military bearing and ramrod straight, the pilot is clearly relishing his moment (what Frenchman doesn't yearn to be in a revolution?).
The pilot. (see picture below) I am fascinated by him most of all. Who was he? What happened to that guy, I wonder. Does he know that he's the cool guy at least once a year in Iran?
Apparently not. When I ask around, the answer comes back as a real downer: "Ooh. They killed him. He got whacked." Who the "they" is that did the killing, or why anyone would want to kill the pilot, remains unknown. I know better than to ask how folks know this story to even be true...anything goes when it comes to conspiracy theories in these parts.
Now comes Lenin at the Finland Station. Khomeini's first public speech that first day is delivered at Behest e Zahra, the vast cemetery in which martyrs from the revolution, and later, the Iran-Iraq war, are buried (participants in Prof. X's class will remember the classic line, "We will slap the mouth of this government!"). It is a dramatic touch, deft and perfectly in line with the themes that the future regime would take up: self-sacrifice, devotion to a holy cause, the promise and fulfillment of justice. Khomeini's arrival at the cemetery was a carnival, matched only be his departure from his earth (fittingly enough, set in the same cemetery). The crowds jostling his escort from the airport to Behest e Zahra were mighty, and in the end they had to use a military helicopter. Before replaying Khomeini's arrival at the graveyard (again descending from the heavens!) by helicopter, the news ran a feature on the three cars that carried Khomeini to the gravesite (including a Mercedes and, somewhat incongruously, a Bronco). Three, because each and every one of the cars, according to revolutionary lore, failed at some point along the trip, their engines burned out by the revving of the driver, pushing against the crowd...
Jack Miles, in his wonderful book, "God: A Biography," observes that God/Yahweh of the Hebrew Bible goes from leading actor (taking a stroll in the Garden of Eden, chatting it up with Moses) to supporting character. Miles' thesis is that the Old Testament becomes less a story about God, and more the tale of how the Jews became a people and a nation. Read as a chronological story, by the end of the Five Books of Moses, God is practically absent from the narration.
At the risk of sounding blasphemous, it seemed to me that Khomeini takes on a similar role in the official retelling of the 1979 Revolution. Where at first he was everywhere, the focus and spark of the social movement that would eventually end 2500 years of imperial rule, by the last days of the revolution he had left the scene, now found only in the placards held up here and there by the crowd, or, in a bit of fancy editing, as the wizened leader, shown years after the revolution, reminiscing about how things were during those fateful days...
Khomeini gone, the crowds come out emboldened, a mass force of people ducking and crouching in the face of gunfire, then inching forward towards certain but necessary doom...We see, over and over again, bloodied hands held up, what I took to be a clear and obvious reference to Abulfaz, a Shia hero killed with Imam Hossein at the defining Battle of Karbala, his hand chopped off before his ultimate martyrdom...
Then it's all over. The caretaker government is doomed by the capitulation of the armed forces. Instead of blood and guns we are now shown newspapers held aloft, visual markers of the end of the ancien regime. Time to build the new one.
The 10 days of celebration culminate in the Big March (rawpaymani), annually held in every major city in Iran on the 11th of February. This parade was, to say the least, a cathartic experience and a genuine emotional release, even for the likes of me... (see pictures below)
I should know better than to think I had things figured out. After two months in-country, I was quite convinced that no one would show up for the parade. Certainly, no one from my side of gene pool was going to go, and in fact, all of my eager-beaver interest in seeing and photographing the regime at work had earned me the monikor of "hezbollai." Uncles and cousins have taken to asking me to calling me into the room whenever a cleric was speaking on television ("Your friend is on..."); more than once I've been asked to translate a sermon, the joke being that all of these mullah friends of mine are really Arabs. The wooly winter beard does not help.
In any case, turnout would be disappointing, I was quite sure. I remember holding a similar thought in 1994 in Moscow, on the anniversary of the October Revolution and three years after the ostensible demise of communism. No one would show up, I thought to myself, just before the legions and rows of red flags and really upset communists crowded around the Kremlin...
When I began the march (it's a 3-6 kilometer in distance from all directions, converging on the Azadi, or Freedom, Square) the turnout did indeed promise to be disappointing. I soon found out that I was quite wrong, and well ahead of the crowd...I soon had to seek refuge, scrambling up onto a pedestrian footbridge...
The question now became whether I had been wasting my time here, that my observations of Iran are limited to the point of being irrelevant. It's quite clear that many folks in Iran are unhappy with the state of things, above all that perennial regime-killer, rampant inflation. It doesn't take much effort to get a public space discussion going on how lousy this regime is, how the revolution had been hijacked by a bunch of backwards fanatics. So what was this that I saw, the bellowing and fury? Did the exhortations and manifestations of the crowd ("Down with America!" etc.) reflect a sincere hostility to the U.S., much less a defense of the regime? Was this a display of nationalism, tied to the defense of Iran's right to nuclear energy, cleverly appropriated by the march's organizers? A brainwashed minority, parroting whatever they had read or heard from the regime? I frankly did not recognize this Iran...this was not my world.
What explained the turnout? Who were these people? I beleaguer near-random strangers and acquaintances with my questions. Friends and family have been generous, offering a number of theories to get me through the confusion. Many of the answers are practiced, no doubt tooled and refined over nearly three decades of frustration. A sampling: I am told that people have to participate in mass demonstrations, otherwise their boss or neighborhood mullah, who is certain to be in attendance, will wonder the next day, in typical Persian kill-by-kindness, "We missed you at the march...I was worried...were you not feeling well?" Alternatively, one friend observed that because of the general absence of sanctioned public space events, and given the social proclivities of Iranians (show an Iranian a crowd, and he will rush over to see what's going on), it should not be surprising to see such a turnout. Eager to reassure me, this friend tells me to not take the hundreds of thousands too seriously. It's the festival theory: these sorts of demonstrations are a rare opportunity to have fun, to get out with family and friends. The politics of it all is secondary, at best...
A well-dressed old man sitting next to me on a bus offered the power of population as an explanation. If you consider that 1% of the entire population of Tehran shows up for such things, and taking into account that Tehran is nearly 20 million people, well, there you have it: a large crowd constituted by an overwhelming minority. Then, apropos of nothing, he declared that this government was filled with a bunch of atheists (bi-dini), and everyone knew it. This set up the final point, and the kicker to the entire conversation: these guys in charge were really all former communists (Tudeh party members) who had "changed their colors."
Finally, there is the old standby explanation, and the one that I have the hardest time accepting but that I constantly hear, that the people I saw in the crowd were simple, and above all, poor, folks, taken in by the regime. Subjected to a month's worth of propaganda, lacking "culture," and treated to an endless supply of food on the day of the march, they were little more than sheep, baa-baaing their support for a violent and merciless regime.
What's missing, of course, from all of this are the voices in the march itself. Aside from the pictures I've attached below, it did not occur to me ask, "Why are you here?" It's all speculation at this point, by me, by my friends and family, a rather dubious inquest into inner states. No doubt my interest in CMA (covering my...) played a part; in fairness to me, this reticence was not entirely unfounded. At one point, a group of young basijis, decked out in camoflauge, jogged by in formation, each one eyeing me sidelong. I was leaning up against a guardrail, taking notes in my Moleskine (J. Peterman voice: The classic notebook of Chatwin and Hemmingway). I heard one of the little punks shout out, "He's taking notes...in foreign!"
I never quite understood what the notion of "discourse" would look like in action, whether it was worth anything as an analytic lens, but here you have it. Multiple and contending accounts of reality, offered in definitive and authoritative terms to the novice researcher. Let me tell you about Iranians. "These people marched because..." The filled-in-blank, X, y, or z, take your pick, it's all true. Which is to say, it doesn't matter so much what is True but how rather how people understand and talk about that "truth." Too po-mo to get a proper job, I'm sure, but this is the analytic lens I intend to use as I move into the months of March, April, and May.
A final observation: It has been said that in Iran the concept of "justice" has historically carried greater weight than notions of "freedom" (for a really cheesy and simplified version of this argument, see Sandra MacKey's "The Iranians"). Certainly notions of justice---the idea that there is some sort of righteous balance to the universe---played an important part in the mass mobilizations that pushed the former regime out of power. Although I have grown greatly skeptical of the usefulness of revolutions, particularly this one, I hold no love for the Shah, and do not in any way defend the monarchy. Yet, 29 years on, the constant pounding, the ceaseless demonization, the multiple slurs against the Shah, his ministers, and anyone remotely associated with that regime, comes off at the very least as being highly distasteful. What is the purpose of this ceaseless punishment?
The official rhetoric, at least, and the painful detailing of the Pahlavi's crimes, real or imagined, left me wondering about the matter of taste. One month of demonizing the Shah...the man is dead. It all seemed overwrought, and was personally dispiriting...I wanted to turn the state's rhetoric back on it, and ask, when is it just to finally STOP? I can't help but think of South America and the story of how emergent (or re-emergent) democracies deal with former with the former military rulers after the end of authoritarianism. There is a great book by Lawrence Weschler, "A Miracle a Universe: Settling Accounts with Torturers," that deals with just this issue, the question of justice, impunity, "el olvido," or oblivion. Weschler asks, Can a democracy be built on what are essentially lies, i.e., that the past is the past, that each side had committed its share of atrocities.? Must all democracies, even a nascent one under constant threat by its former military rulers, first attend to the injustices of the previous regime, come what may? Weschler suggests that ignoring justice, and granting amnesty to killers, is too high a price to pay...
But is there a limit to what justice can do? As those of you familiar with my dealings with the DC Tenant/Landlord/Small Claims Courts know, I happen to believe strongly in the administration of justice, even if it comes at great cost. Perhaps there is something to be said for genetic memory, or at least my complete obliviousness to tact and proportionality. But that's precisely the issue...when does decorum, good taste, demand that I or anyone else seeking justice let up? When is enough enough? Iran is not Uruguay or Brazil, the subjects of Weschler's book, but a lot of the same issues apply, at least to the previous regime (holding the current regime to account will have to wait). Again, I am convinced that the chants and fulminations that I hear against the Shah, America, Israel, the Brits, and nowadays, the French (way to go, Sarkozy!), are the acts of a committed, and powerful, few. Most of the country doesn't go in for such antics anymore. There are simply too many other needs to tend to, and in any case, the point was made some time around 1986 or 88. We get it. The U.S. did bad things. The Shah did bad things. Let it go.
When does a revolution end? Technology and media no doubt play a part in answering this question. I wonder, how long we Americans (sorry) would have dragged out the spirit of 1776 if there had been a television crew roaming the colonies? I've seen the old statues in Concord and Lexington, paens to the Minutemen, those brave men who stood up to the "dastertedly and heartless British," ravagers of our fair republic, etc. It's pretty shocking to read the texts on these monuments now...The slurs against the British now seem outdated (uh-oh, does that make me a blame-America-firster? am I raising the white flag of surrender to the British? it may be time to scurry up to Canada) How long did Americans ring the bloody flag after the triumph at Yorktown, and would it have lasted longer than it did if it were televised?
On to the pictures.
Allow me to translate the sign behind Condi-Coconut Head:
Celebration (or Awards) Site for the Puppets of Arrogance (Arrogant Puppets?) Competition.
By the way, seen on the banner and hidden behind Condi's ear, is a hunched-over old man carrying the skeletal Yank. Perhaps a past winner?
The sign on the second, much cruder Condi puppet reads: Condi, Donkey of the Middle East. In a display of competing discourse, I overheard a group of people reading that sign out loud, then quite pointedly declaring it to be rude, crude, and basically inappropriate...
A House of Foam production?
And a special bonus: Running Imperialist American Mule!
That mule, donkey, whatever, almost ran my butt over.
Scenes from the day...
...and commentary on selected pictures below.
Political marches are also a chance to make some money. These sour-sweets are, by the way, yum-yum GOOD...
Pedestrian foot bridges are great spots for taking photos...
Note the baked beans seller in the corner, trailing his friend the candy seller...
This lady asked that I take a picture of her mom...
George Bush paid a visit to the crowd...
...quite hazardous for the guy inside of the costume. He took some abuse, I must say, true devotion to his art.
The design for this "arrogant puppet" was lifted directly off of a magazine cover, found in kiosks that week. The sign reads, "Expired, 1357/11/22 (February 11, 1979)."
Note the corrected spelling...That was an "O" before it was an "A," giving the sign quite a different meaning:
Shah-built , the Tower of Remembrance of the Shah (loose translation), now known as Freedom Square and Tower...
The Frenchie...